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Exercise "Долгие тона "
CategoryBelting Instructor
Easy difficulty
NameДолгие тона
Description
Используйте это упражнение, чтобы развивать управление дыханием во время пения длинных фраз. Ребра должны быть открытыми — используйте дыхание животом. Для настройки начального тона рекомендуем использовать первую согласную. При этом нужно добиться чувства гудения губ и носа на звуке M. Таким образом вы со временем научитесь создавать очень чистый резонансный тон, который не будет требовать большого расхода дыхания.
Exercise content
Notes | Music | Vocal |
|---|---|---|
| B1 ("B" contra octave) – B1 ("B" contra octave) | ||
| C2 ("C" great octave) – C2 ("C" great octave) | ||
| C#2 ("C-sharp" great octave) – C#2 ("C-sharp" great octave) | ||
| D2 ("D" great octave) – D2 ("D" great octave) | ||
| D#2 ("D-sharp" great octave) – D#2 ("D-sharp" great octave) | ||
| E2 ("E" great octave) – E2 ("E" great octave) | ||
| F2 ("F" great octave) – F2 ("F" great octave) | ||
| C3 ("C" small octave) – C3 ("C" small octave) | ||
| C#3 ("C-sharp" small octave) – C#3 ("C-sharp" small octave) | ||
| D3 ("D" small octave) – D3 ("D" small octave) | ||
| D#3 ("D-sharp" small octave) – D#3 ("D-sharp" small octave) | ||
| E3 ("E" small octave) – E3 ("E" small octave) | ||
| F3 ("F" small octave) – F3 ("F" small octave) | ||
| F#3 ("F-sharp" small octave) – F#3 ("F-sharp" small octave) | ||
| G3 ("G" small octave) – G3 ("G" small octave) | ||
| G#3 ("G-sharp" small octave) – G#3 ("G-sharp" small octave) | ||
| A3 ("A" small octave) – A3 ("A" small octave) | ||
| A#3 ("A-sharp" small octave) – A#3 ("A-sharp" small octave) | ||
| B3 ("B" small octave) – B3 ("B" small octave) | ||
| C4 ("C" first octave) – C4 ("C" first octave) | ||
| C#4 ("C-sharp" first octave) – C#4 ("C-sharp" first octave) | ||
| D4 ("D" first octave) – D4 ("D" first octave) | ||
| D#4 ("D-sharp" first octave) – D#4 ("D-sharp" first octave) | ||
| E4 ("E" first octave) – E4 ("E" first octave) | ||
| F4 ("F" first octave) – F4 ("F" first octave) | ||
| F#4 ("F-sharp" first octave) – F#4 ("F-sharp" first octave) | ||
| G4 ("G" first octave) – G4 ("G" first octave) | ||
| G#4 ("G-sharp" first octave) – G#4 ("G-sharp" first octave) | ||
| A4 ("A" first octave) – A4 ("A" first octave) | ||
| A#4 ("A-sharp" first octave) – A#4 ("A-sharp" first octave) | ||
| B4 ("B" first octave) – B4 ("B" first octave) | ||
| C5 ("C" second octave) – C5 ("C" second octave) | ||
| C#5 ("C-sharp" second octave) – C#5 ("C-sharp" second octave) | ||
| D5 ("D" second octave) – D5 ("D" second octave) | ||
| D#5 ("D-sharp" second octave) – D#5 ("D-sharp" second octave) | ||
| E5 ("E" second octave) – E5 ("E" second octave) | ||
| F5 ("F" second octave) – F5 ("F" second octave) |
Summary
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Amount of content
- 37 audio tracks with voice
- 37 audio tracks with music
Average exercise duration
From bottom to top
Parts are played without gaps, every semitone from the lowest note of the vocal range to the highest.
Base notes
- Tenor
- G#3 ("G-sharp" small octave)
- Baritone
- F#3 ("F-sharp" small octave)
- Bass
- A#2 ("A-sharp" great octave)
- Mezzo-soprano
- D4 ("D" first octave)
- Soprano
- E4 ("E" first octave)